WSL clubs feel England players were bullied by the Football Association into accepting a meet-up date for the World Cup of June 19.Ĭhelsea are facing a dilemma over the future of Kai Havertz after setting what the clubs interested in signing him believe is an unrealistic asking price for the forward.Įngland's preparations for the Women's World Cup have received a boost after an agreement was reached that allows players to start a pre-tournament camp on Monday week, as requested by Sarina Wiegman.įormer professional footballers are almost three and a half times more likely to be diagnosed with dementia than the general population, according to a study commissioned by the Football Association and Professional Footballers' Association. Petr Cech has joined the third tier of ice hockey team Oxford City Stars as their goaltender for the 203-24 season. Tottenham are battling with Newcastle to sign James Maddison from relegated-Leicester City. The Times later said that it would not pay a monthly fee to get a verified check mark on Twitter.ĭon’t miss out on ET Prime stories! Get your daily dose of business updates on WhatsApp.Image: James Maddison has been linked with a move to Newcastle or Tottenham The microblogging platform’s move against NPR and BBC came just days after it stripped The New York Times, which Musk has accused of being biased, of its verified status. “NPR is an independent news organization committed to informing the public about the world around us,” it says. In its updated Twitter bio, NPR’s main account, which has more than 8.8 million followers, invited users to “find us every other place where you read the news”. The change occurred after the network complained that the term “state-affiliated” was disparaging and inaccurate. It was marked as “state- affiliated media” and later changed to “government-funded”. Musk’s social media network has also applied a similar label to the US radio network NPR. According to the Twitter website, “state-affiliated media” is defined as outlets where the state exercises control over editorial content through financial resources, direct or indirect political pressure, and/or control over production and distribution.
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